Foo Fighters' New Album: A Band Rebuilding After Tragedy
The Foo Fighters return with their first album since drummer Taylor Hawkins' death. Here's what the new music sounds like, what it means, and why this album carries more weight than most.
April 13, 2026

When Taylor Hawkins died suddenly in March 2022 at age 50, it wasn't clear the Foo Fighters would continue. Hawkins had been the band's drummer for 25 years and Dave Grohl's closest musical collaborator. The loss was devastating โ professionally, creatively, and personally.
The band did continue. They announced a new drummer, Josh Freese, and returned to touring in 2023. And now, in 2026, they've released their first album since Hawkins' death โ a record that carries weight no purely musical assessment can fully capture.
What Does the New Album Sound Like?
Early singles suggest a return to the harder, more aggressive rock sound of the band's earlier work โ The Colour and the Shape, There Is Nothing Left to Lose era Foo Fighters, before the band's sound broadened and softened in some periods.
The production is more raw than recent albums. The guitars are louder. The tempos are faster. Whether this reflects the catharsis of grief, a deliberate artistic choice, or simply what felt right with a new drummer โ probably all three โ the result is a band that sounds energized in a way they haven't in years.
Dave Grohl's Songwriting
Grohl has said in interviews that writing this album was both the hardest and most necessary thing he's ever done. Losing Hawkins forced a reckoning with mortality, friendship, and what music is actually for.
The lyrics, while rarely literal about grief, carry its weight throughout. Songs about endurance, about showing up, about the strange obligation to continue doing the thing you've always done when the person who helped you define it is gone.
Josh Freese: The New Drummer
Josh Freese is, by any measure, one of the best rock drummers alive. He's played with Nine Inch Nails, A Perfect Circle, Devo, Weezer, and dozens of others over a career spanning four decades. His technical facility is extraordinary.
But he is not Taylor Hawkins. The band has been clear that replacing Hawkins was never the goal โ bringing in someone who could help them make music again was. Freese's playing on the new album is excellent and fits the material. Whether long-time fans will fully embrace him is a more complicated question.
Taylor Hawkins' Shadow
It would be disingenuous to review this album without acknowledging that every note is heard against the background of his absence. Hawkins was a charismatic, physically dynamic drummer whose personality was as much a part of the Foo Fighters' live experience as Grohl's own.
The album doesn't try to pretend he didn't exist. It also doesn't wallow. It finds a third path โ honoring without fixating, moving forward without leaving behind.
Should You Listen?
If you're a Foo Fighters fan, yes โ absolutely. This is the band doing the difficult, necessary work of continuing, and the music is genuinely good.
If you're coming to Foo Fighters for the first time, start with The Colour and the Shape (1997) or There Is Nothing Left to Lose (1999) first. Then come to this album with context.
If you're interested in music that carries real emotional stakes โ the kind that comes from actual loss processed through creative work โ this album offers something most rock records don't: the sense that making it genuinely mattered.
The Bigger Picture
The Foo Fighters have always been a band about persistence. Dave Grohl built them from the wreckage of Nirvana's ending, from his own grief. That the band has survived another devastating loss and made music from it is, in its way, consistent with everything the Foo Fighters have always represented.
Rock and roll needs bands that mean it. The Foo Fighters, on this evidence, still do.
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